The Pinch was founded in 1980 as the Memphis State Review by William Page. In its first few years the journal published such well-known writers as Robert Bly, Phillip Levine, Mary Oliver, Robert Penn Warren, and Margaret Atwood.
In 1988, the Master of Fine Arts in Creative Writing Program was formed at The University of Memphis, and Page handed his Editor in Chief position to Sharon Bryan. Under Bryan’s leadership the Memphis State Review became River City and published notable issues such as “Where We Stand: Women Poets on Literary Tradition,” which was later published as a book by W. W. Norton & Contemporary Culture.
From 1998 to 2001, Editor in Chief Thomas Russell returned River City to its focus on creative and literary works. Russell produced issues under themes such as “The Other (Inside Us)” and “Luck.” Russell also published a special issue for the 20th Anniversary of The River City Writers Series featuring the works of famous authors such as Donald Justice, Marvin Bell, Adrienne Rich, Lucille Clifton, Mary Gaitskill, John Updike, and Margaret Skinner, as well as the photography of William Eggleston. In 2002, Editor in Chief Mary Leader refocused the journal to an emphasis on poetry.
Kristen Iversen took over as Editor in Chief in 2005. Under her leadership, the journal transitioned into The Pinch and expanded its focus on creative nonfiction. In recent years, our contributors have included Linda Gregerson, Bobbie Ann Mason, Lee Gutkind, Scott Russell Sanders, George Singleton, Lee Sharkey, Ron Rash, Bob Cowser, Jr., Steven Church, Robert Root, Dinty W. Moore, Floyd Skloot, and many others.
The Pinch is printed on high-quality paper and is filled with glossy pages. The Pinch logo and award-winning covers are designed by Gary Golightly, the Graphic Design Program Coordinator at the University of Memphis Art Department.